![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
( Read more... )
The word photography was created using a combination of Greek words that literally give it the meaning of ‘drawing with light’ – and indeed, light is the essential part of the whole process. A photographic image is captured on light–sensitive film (or a similar medium), using the light reflected off objects. It follows that how a Merlin scene is lit will significantly affect how it later appears in the finished episode.
When filming a television show, the Director of Photography is responsible for the lighting, along with so much else, while working to the Director for that episode. This article examines some aspects of the lighting used in Merlin, focussing on episode 312 The Coming of Arthur, Part One. (In fact, I hardly needed to look past the first few minutes to find my examples.) The DoP for the episode was Dale McCready, and the Director was Jeremy Webb.
Gosh! This is the 201st post to the community, which currently has over 300 members! Hurrah! And long live Merlin Locations! ♥
What better way to celebrate than this: sharing some enthusiastic words from Colin and from co-producer Rachel Knight, which make them sound just about as geeky as us, bless them. :-D I have just posted the following to the website...
♦
I've been delighted to see that we're not the only ones chatting about Merlin filming locations lately! (Well, not that I personally have been chatting much, alas, as work has kind of swallowed up my life for a while. Though to be honest, I've also been a bit more spoilerphobic than usual in the lead up to the finale episodes.) But here's some links to wise words from our own beloved cast, crew and producers…
![]() |
![]() |
![]() |